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I would just go home and draw on my walls or whatever. I would love it when she would come by, because everyone in Colombia is horny as f. She would drop by our school and everything would stop. I actually went to school with Sofía Vergara’s first cousin. Yeah, it’s just Carnival and Sofía Vergara, she grew up there.
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While the mainstream one is like Carnival. Because I went to this bougie private school, I rebelled against that because I didn’t feel welcome in that scenario. I would have kids come… They would take my hair, and they would put it under a microscope to study it, because why isn’t it straight? That was my Barranquilla. Not only am I not blonde, blue eyes my mom comes to school wearing these weird outfits. Yeah, it was based in Colombia, but all of the morals and everything was taught from Catholic, capitalist, US-adoring point of view. It was very hard because everyone in my class was like Melanie and Stephanie and… Johnson School where you’re not allowed to speak Spanish.
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But to me, I was definitely one, because I went to this school called the Lyndon B. I’m not supposed to, because I am half black and half indigenous, and we don’t really have those distinctions in Colombia. But I never did because I was interested in electronic music from a very, very, very young age. Even though as a Colombian, I should fit in.
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I’ve always existed in this confused hyphen. I mean, my Barranquilla might not be the same Barranquilla for a lot of folks because I have never been a regular. Can you tell us about, I guess, Barranquilla? Who lives there? What does it look like? What does it sound like? What does it smell like? Take us to your home. I want you to set the scene for us, because I don’t know how many people here have actually been to Colombia. So, you’re back home in Toronto after spending some time in Colombia recording your – spoiler alert – new record. Please help me welcome the Polaris Prize winning singer, songwriter and producer from Barranquilla, Colombia via London, Ontario, Canada and Toronto, here to Calgary. Sitting on the couch at the Red Bull Music Academy Bass Camp Calgary 2019, Pimienta spoke frankly and at length about how personal experiences have shaped her artistic approach, the lessons of collaboration and independence, and why Miss Colombia has become not just a record but “a language, a thesis.” In 2018, she signed with American label Anti, reissuing La Papessa in anticipation of her new record, Miss Colombia, which continues to explore Afro-Colombian music traditions and ideas of ownership and identity through Pimienta’s unique lens.
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That album, self-produced and full of layered compositions, from the sonics to the subject matter, won the 2017 Polaris Music Prize and received numerous public accolades from both Canadian and international media. She delved further into the potentials of using her voice in combination with loop pedals and electronic production and connected with local musicians, such as Kvesche Bijons-Ebacher and Blake Blakely, who helped Pimienta fashion the sound of her second album, 2016’s La Papessa. In the following years she moved from London, Ontario to Toronto and studied art criticism and music production. The Toronto-based, Colombia-born artist made her debut in 2010 with Color, a collection of songs written in Baranquilla that pulled from youthful experiences with metal, identity, motherhood and, quite literally, finding her voice. Lido Pimienta is much like her music: a complex tapestry of influences and ideas rooted in independent thought and human experience.